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Rail Communications Use All the Bells and
Whistles
by Jamie Reid
Bells first appeared on American locomotives in the
early to mid 1830s, as a warning device in yards and at railroad
crossings. Whistles were originally developed in England, appearing
slightly later here. Both were in general use by the end of the 1830s.
Steam whistles were louder and served both as warning and signaling
devices.
Bells on passenger trains were sounded for a short period before the
train moved, the ringing continuing until the locomotive left the
station. The bell was an indication that a train was either moving or
about to move. The fireman usually controlled the bell, originally
tugging on a cord to ring it, while later bells were actuated by air
pressure, requiring the fireman or engineer only to turn a knob. Bells
were also sounded in urban areas where the ringing bell could be heard
long before the puffing steam engine. Noise pollution makes bells less
effective today.
Whistles served not only as a warning, but were a communications
signal for train crews as well. Without radios, communications depended
on hand and light signals, often answered by a locomotive whistle.
Sometimes whistles served alone. Whistle signals sounded between
locomotives and operators in depots, or to the flagman protecting the
rear of a train. Only the engine's whistle had the volume to be heard
long distances
Different patterns of long and short tones had meanings. One
combination might announce a station stop ahead, another would tell the
engineer on a helper engine to begin pulling. Before automatic air
brakes became common in the early part of the twentieth century,
"whistle down brakes" was a signal for brakemen to run along
the roofs of cars, turning or tightening "down" hand brakes.
Automatic brakes eliminated this dangerous practice.
Today only a few whistle signals remain. Two blasts of the whistle or
air horn announce a train about to move ahead. Three blasts, and the
informed understand that the train is about to back up. This may confuse
the onlooker, because "back" and "forward" relate
only to the orientation of the locomotive, not its train. So if an
engine has been place to run in reverse while pulling the train ahead,
you will hear the engineer give a back up signal.
A single short blast announces that brakes have been set, important
knowledge if passengers are about to be loaded or unloaded. Sometimes a
series of short blasts serves as a warning to persons or animals on the
tracks. Everyone has heard the grade crossing signal of two long blasts,
a short, and another long blast, sounds giving warning to all crossing
the right of way.
Long ago locomotive engineers took pride in their ability to
"play" their whistles, quilling the tone to make each whistle
an individual signature. Once engineers purchased their own whistles,
moving them from locomotive to locomotive. These multiple chime whistles
would play tunes, and some engineers were known for their artistry.
Alas, corporate efficiency replaced individuality and whistles were
standardized and supplied by the railroads Still, engineers
"played" their whistles by muting parts of the sound and
opening up on others.
When diesels replaced steam, air horns took over. The first of these
gave off a deep unpleasant blatt that was generally disliked. These were
soon replaced by multiple tone air chimes. While air horns cannot be
played in the manner of their steam predecessors, they still offer some
opportunity for individuality. On track alongside the museum, you can
listen for the different sounds as trains pass by.
Individuality is rapidly passing as railroads merge into great
systems. At the same time, technical improvements offer less opportunity
for the engineer's self expression. One recent development has the
engineer merely push a button, causing a prerecorded crossing signal to
play. Perhaps future whistles and bells will not need human
intervention.
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